TALKING TEXTILES"I am My Mother’s Only One" by 2. Prize Winner Julia Wright (Rhode Island School of Design) Trend forecaster Li Edelkoort and fellow curator Philip Fimmano are pleased to announce the continuation of their international design prize, to be awarded to a textile or fashion design student who exhibits innovative thinking and inspiring creativity in textiles. The competition is open to students from any country currently enrolled in a textile, fashion or knitting course creating original fashion, interior or lifestyle textiles. Based on creativity, innovation and aesthetics, the finalists and winner will be selected by a jury. For the second year running, the prize is proudly supported by America’s leading flooring company MOHAWK GROUP.
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The winner will receive $5,0. Trend. Tablet. com. The prize is part of Edelkoort and Fimmano’s TALKING TEXTILES initiative that promotes textile education and creativity, with the winner announced in New York on September 1. TALKING TEXTILES CONFERENCE. The entire month of September is NEW YORK TEXTILE MONTH, a dynamic city- wide textile festival that promotes textile awareness. For more information, a full program will be available soon at www.
THE DOROTHY WAXMAN TEXTILE DESIGN PRIZE honours Dorothy Waxman, the original driving force behind Trend Union and Edelkoort Inc. United States and contributing reporter to the magazines "View on Colour", "Textile View" and “Viewpoint”. Waxman’s insatiable curiosity and discerning eye for the avant- garde has inspired Edelkoort and her team for decades.
Waxman also introduced the American fashion industry to European textile partners with her work at the Fashion Group. As an avid textile aficionado, she believes that creative fabrics can change the design landscape in profound ways. The prize’s previous winners were Piero d’Angelo (Royal College of Art) in 2.
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Julia Wright (Rhode Island School of Design) in 2. Deadline for submissions: June 1. Download the application form**SAVE THE DATE**TALKING TEXTILES CONFERENCE 2. NEW YORK: September 1. Christian Aschman.
The Japanese fabric Yuki- tsumugi is used to make fine- quality kimonos and has a 2,0. Japan. Making the cloth requires more than 4. These skills have been passed down through the years, and in 2. Yuki- tsumugi production technique was inscribed on Unesco’s Representative List of the Intangible Cultural Heritage of Humanity. OKUJUN’s fabrics have a beautiful luster, exceptional lightness, and rich texture. Supreme Yuki Silk is a fabric of highest quality produced by a method descended from the traditional technique and Yuki Silk is a new fabric that preserves the fine texture but made with a more efficient production process.
The secret of the incomparably soft texture of the silk resides in its raw material — floss silk, and the untwisted yarn spun tenderly by hand from floss silk while typical silk yarn is produced by tightly twisting together several filaments from separate cocoons. Yuki- Tsumugi, silk fabric production technique is very complex. The high quality fabric is a result of the artisans’ highly skilled hand craftsmanship.
The fabric is woven from delicate hand- spun yarn, and is a layered masterpiece of skilled hand- craftsmanship from artisans who execute all the needed procedures. It is supported by a sophisticated combination of professional instinct and dexterous artistry, nurtured through long specialized practice. A single piece of cloth is born from the hands of many master artisans. Floss silk is obtained from a cocoon and, with the use of a tool, gently stretched by hand into yarn, without spinning. During the process, sizing is applied to strengthen the delicate yarn. By using a traditional back- tension loom called a jibata, the hand- spun yarn is woven into cloth while applying minimal tension to the yarn. The warp is tied to the weaver’s hip and inseparable from the loom, the weaver controls the tension of the warp through the movement of the hip while weaving.
A Hia shuttle used to store weft yarn- made from an oak tree, and an osa - reed- are used to tighten the weave, to create a fine woven silk fabric. Finally, after the process of sun drying, a cloth that is light, warm and extremely soft is born. I am My Mother’s Only One (2. Julia Wright. Dorothy Waxman and Edelkoort Inc. Dorothy Waxman International Textile Design Prize: Rhode Island School of Design’s Julia Wright!
Mohawk Group has generously supported this year’s prize of easy payday loans $5,0. Julia for the visual language she employs to make her textiles talk, from the sophisticated collage aesthetics of her jacquards to the creative use of bleach and dyes applied by hand. The jury also decided to create a Jury Special Mention for the work of Christian Frank Müller, who studies at the Kunstuniversitat Linz and previews the making of patterns with a human intervention before machines weave the rest of the textile. Both works will join the other finalists on display at WANTED DESIGN this May 7 - 1. New York: INDUSTRY CITYSunset Park, 2.
Street, Brooklyn, NY 1. Jury Members: DOROTHY WAXMAN – President.
ROYCE EPSTEIN – Director, Design Segment, Mohawk Group. ODILE HAINAUT – Founder, Wanted. Design. PAUL MAKOVSKY – Editorial Director, Metropolis. MATILDA MCQUAID – Deputy Curatorial Director, Cooper Hewitt. HELEN OJI – Creative, Inspiration & Research Director, Eileen Fisher. Julia Wright (United States)Rhode Island School of Design (RISD)I am My Mother’s Only One, 2. I am my mother’s only child, only daughter, only friend." The structure of Wright's family has shifted significantly since her parent’s recent divorce, and as such, each member of what was a three- person unit has learned to live on their own.
This piece was created through Wright's reflection on childhood and her relationship with her mother, serving as a sort of necessary step for the designer to accept this new situation. Wright says her memory is driven by colour and shape, and through using the jacquard loom she was able to translate a personal photographic collage into a thick woven fabric, tangible and soft. Each cut square serves as a physical and material reminder of sweet childhood memories; the organization of which is unfixed and ever- changing.
This work was created by collage and painting, and translated through Point Carre software to become woven pieces created on a Staubli jacquard loom. It is a 7- wefted weave, and has been cut apart and reconfigured. Many pieces were painted after weaving with bleach or dye. Christian Frank Müller (Germany)Kunstuniversitat Linz, Austria. Tex. Lab, 2. 01. 5As a multi skilled designer and Ph. D student with a specialisation in textile design, Müller realises a wide range of different projects along the themes of diversity, details and simplicity with a twist. He perceives that design has a crucial influence on our lives.
Good design improves our everyday lives and should be sustainable in terms of long lasting, timelessness, the use of the right materials and flexibility in use. And of course it should look good in every situation. Design is not pure decoration, it is the right ingredients mixed together in order to create a new, unexpected experience. Müller says of his work: "I like simple things. Some people would say boring, but boring is in my opinion not bad. It’s just the absence of excitement in a world that is full of exciting things and where every new object is just trying to raise the level of excitement.”In this experimental collection, fabrics are made with different unconventional dyeing, weaving and knitting techniques. Injection dyeing is used on folded, woven fabrics before they unfold to reveal a placed pattern of bleeding spots.
Dye is also injected into bobbins and knitting spools before moiré and marle fabrics are machine woven or knit. DOWNLOAD PRESS IMAGESphoto Marcella Echavarria. Edelkoort Inc. recently presented an installation featuring Peruvian designers that embrace using natural alpaca fibre. Supported by Promperu, the Autumn / Winter 2. New York at D& A, an innovative ready- to- wear trade show for coterie collections. The exhibit included photography by Marcella Echavarria taken on location in Cusco, the high altitude region synonymous with alpaca farming. Alpacas are a species of South American camelids and Peru generates approximately 8.
Magneto (comics) - Wikipedia. Magneto is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with the X- Men. Created by writer Stan Lee and artist Jack Kirby, the character first appears in The X- Men #1 (cover- dated Sept. X- Men. The character is a powerful mutant, one of a fictional subspecies of humanity born with superhuman abilities, who has the ability to generate and control magnetic fields. Magneto regards mutants as evolutionarily superior to humans and rejects the possibility of peaceful human- mutant coexistence; he aims to conquer the world to enable mutants, whom he refers to as homo superior, to replace humans as the dominant species. Writers have since fleshed out his origins and motivations, revealing him to be a Holocaust survivor whose extreme methods and cynical philosophy derive from his determination to protect mutants from suffering a similar fate at the hands of a world that fears and persecutes mutants.
He is a friend of Charles Xavier, the leader of the X- Men, but their different philosophies cause a rift in their friendship at times. Magneto's role in comics has varied from supervillain to antihero to superhero, having served as an occasional ally and even a member of the X- Men at times. His character's early history has been compared with the civil rights leader Malcolm X[8][9] and Jewish Defense League founder Meir Kahane.[1. Magneto opposes the pacifist attitude of Professor X and pushes for a more aggressive approach to achieving civil rights. In 2. 01. 1, IGN's ranked Magneto as the Greatest Comic Book Villian of All Time.[1. Sir Ian Mc. Kellen portrayed Magneto in four films of the X- Men film series, while Michael Fassbender portrayed a younger version of the character in three films. Publication history[edit]X- Men #1 (Sept.
Magneto's first appearance. Written by Stan Lee and art by Jack Kirby. Magneto first appeared in the debut issue of X- Men in 1.
Through the 1. 96. Magneto appeared in several issues of the original X- Men comics, including Uncanny X- Men, X- Men, Astonishing X- Men, Alpha Flight, Cable, Excalibur, The New Mutants, many X- Men miniseries, and several other Marvel titles.
His first solo title was a one- shot special, Magneto: The Twisting of a Soul #0 (September 1. Magneto- based stories from Classic X- Men #1.
August 1. 98. 7 & March 1. Chris Claremont and artist John Bolton. In a 2. 00. 8 interview, Stan Lee said he "did not think of Magneto as a bad guy. He just wanted to strike back at the people who were so bigoted and racist.. He was a danger of course..
I never thought of him as a villain."[1. In the same interview, he also revealed that he originally planned for Magneto to be the brother of his nemesis Professor X.[1. Writer Chris Claremont confirmed that Malcolm X was an inspiration for Magneto's development, as Martin Luther King Jr was for Professor X.[1. Magneto's first original title was the four- issue miniseries Magneto (November 1.
February 1. 99. 7), by writers Peter Milligan and Jorge Gonzalez, and penciller. Kelley Jones. In the miniseries, Magneto had been de- aged and suffered from amnesia, calling himself Joseph; it was later revealed that Joseph was a younger clone of Magneto.
Later, Magneto became ruler of the nation Genosha. Later, Magneto appeared in two miniseries; Magneto Rex (written by Joe Pruett and drawn by Brandon Peterson) and Magneto: Dark Seduction (written by Fabian Nicieza and drawn by Roger Cruz). A trade paperback novel detailing Magneto's childhood, X- Men: Magneto Testament was written by Greg Pak and released in September 2.
Pak based Magneto Testament on accounts from Holocaust survivors. Before the publication of X- Men: Magneto Testament, Magneto's personal background and history were established[1. Uncanny X- Men #1. Aug. 1. 98. 1). He was portrayed as a Jewish Holocaust survivor; while searching for his wife Magda, a Sinti, Magneto maintained a cover identity as a Sinti.[3] This created confusion among some readers as to Magneto's heritage,[1. Jewish background was confirmed in Magneto: Testament.[1][2. Fictional character biography[edit]Early life[edit]Magneto was born Max Eisenhardt sometime in the late 1.
German- Jewish family. Max's father, Jakob Eisenhardt, was a decorated World War I veteran.[1] Surviving discrimination and hardship during the Nazi rise to power, the passing of the Nuremberg Laws in 1. Kristallnacht, Max and his family fled to Poland where they were captured during the German invasion of Poland and sent to the Warsaw Ghetto.[1][2. Max and his family escaped the ghetto, only to be betrayed and captured again. His mother, father, and sister were executed and buried in a mass grave, but Max survived, possibly due to the manifestation of his mutant powers. Escaping from the mass grave, he was ultimately captured yet again[2. Auschwitz, where he eventually became a Sonderkommando.[2.
While at Auschwitz, Eisenhardt reunited with a Romani girl named Magda, with whom he had fallen in love when he was younger, and with whom he escaped the prison camp during the October 7th 1. Following the war, he and Magda moved to the Ukrainian city of Vinnytsia, and Max adopted the name "Magnus". Magda and Magnus had a daughter named Anya, and lived uneventfully until an angry mob, spurred on by the first manifestation of Magnus' powers, burned down their home with Anya still inside.
Magnus was enraged at the mob for preventing him from rescuing Anya, and his powers were unleashed, killing the mob and destroying a part of the city. Magda, terrified at Magnus' power, left him and later gave birth to the mutant twins Pietro and Wanda before she died.
Wanted by the authorities for the deaths and destruction in Vinnytsia, and while searching for Magda, Magnus paid a Romanian forger, George Odekirk, to create the cover identity of "Erik Lehnsherr, the Sinte gypsy".[3] "Erik" relocated to Israel, where he met and befriended Charles Xavier while working at a psychiatric hospital near Haifa. There, the two debated the consequences humanity faced with the rise of mutants, though neither revealed to the other that they were mutants. However, they were forced to reveal their inherent abilities to one another while facing Baron Strucker and Hydra. Following the battle, Erik, realizing that his and Xavier's views were incompatible, left with a cache of hidden Nazi gold, which provided him with the finances to pursue his goals.[2]Rise of Magneto[edit]. Magneto and Xavier would eventually part ways because of the differences in their beliefs on how to help mutants.
Art by Carlos Pacheco. Magneto's experiences surviving Nazi Germany, Auschwitz, and Vinnytsia would shape his outlook on the situation that mutants face in the Marvel Universe.
Determined to keep such atrocities from ever being committed against mutantkind, he is willing to use deadly force to protect mutants. He would believe that mutants ("Homo superior") will become the dominant life form on the planet and would set about either creating a homeland on Earth where mutants could live peacefully, or conquering and enslaving humanity in the name of mutantkind. Magneto's first villainous act is attacking a United States military base called Cape Citadel after bringing down missiles. He is driven off by Charles Xavier's mutant students, the X- Men, in their first mission.[2. He creates Asteroid M, an orbital base of operations in a hollowed out asteroid.
He then gathers a group of angry and disillusioned mutants including his own, albeit at the time unbeknown to him, son and daughter Quicksilver and the Scarlet Witch and formed the Brotherhood of Evil Mutants to further his goals. Magneto briefly conquers the South American nation of San Marco in the hopes of establishing a mutant homeland there, but is again foiled by the X- Men.[2. He tries to make the Toad infiltrate the X- Men. When that failed, he captures the Angel and tries to force him to tell the secrets of the X- Men. However, the other X- Men rescue their member and destroy Asteroid M.[2. Magneto is captured by the Stranger, a powerful alien being, whom he initially thought was another powerful mutant.
The Stranger encases Magneto and Toad in a special cocoon and spirits them away to another planet, the Stranger's laboratory world. Back on Earth, Magneto's Brotherhood splinters, and Quicksilver and Scarlet Witch desert him.[2. Magneto escapes to Earth by repairing a spaceship on the Stranger's planet, but leaves the Toad behind.